When I had the number of plys that I wanted,
I rounded it as good as I could. Then I could put the last ply on, but this last one
would be less wide because there must be enough space for my binding on both edges of the
resonator.
Now there is the wider white binding in
place. This is the bottom.
The final ply is being added against the
bottom binding. (Is there any guy with enough clamps?)
With the last ply dry, I added the top
binding. I wanted it to protrude past the resonator top edge so I could have it
level when trimmed down..
Both bindings are on and trimmed properly for
width. It needs a little filler and finish.
The resonator portion is pretty much complete
here. It looks OK and it is stiff. Now I need to figure out how to finish it
and secure it to the banjo.
This shows the banjo internal rod and the
bottom of the head. I fabricated an aluminum plate and drilled and tapped it and
this is close to the way it ended up. I am pleased with how secure it is. The
vertical bolt will barely protrude from the resonator so I can put a bakelite
thumbscrew on it.
Note: Since I do not play banjo, I do
not remember what the strings are tuned to. I have this written inside -- and I tune
in "C". After I put the resonator on, I had to write the tunings on the
head rim so I could see that when tuning.
The unfinished 1/2" ply braces are
numbered because they are cut to fit snuggly from resonator rim (where they are glued with
Titebond) and there is black felt between these braces and the banjo rim holding the banjo
rim in compression to the resonator. The inside of the resonator is now painted flat
black, as were these spacers. I had made the arm rest from some model airplane
trophy I won back in the '80s. Those are my first sources of good wood.
The tuners look nice and work well.
The resonator is on the banjo.
This is the same GMC crankcase color. The knob only protrudes 1/4". I
wanted the back stained red mahogany, but birch does not take dark stain well and I didn't
want to do my trick of mixing various sealers to put on before the stain. I just
kept telling myself: "Hey! It is but a banjo!" This recognition
cuts down on the amount of time I would be spenidng on it.
I need to tighten up the screw on my tuner.
I had to extend the feet of the bridge with 1/8" solid maple (on three feet)
to increase string clearance to stop fret buzz. The black square is a piece of
adhesive felt on the head so my finger picks will not click on the head. That is
where I generally play. The head was tightened according to Dan at Stew-Mac. I
guess now I will put the 5th string capo back on -- then I can play in C and D.
("There is small choice in rotten apples." -- Shakespeare; The Taming
of the Shrew.)
Now I will start working on what all banjos
need; a variable mute. I have several ways of doing this and this will be easier
done than this resonator.
"Hey! It is but a banjo." |